A00026 - Kayahan Acar, Turkish Singer and Songwriter

Kayahan Açar, stage name Kayahan, (March 29, 1949 – April 3, 2015) was a Turkish pop music singer and songwriter. He was an accomplished composer, consistently ranking among the best-selling Turkish musicians of all time. Kayahan composed all of his own material and released more than eight best-selling albums during a career spanning three decades.

Kayahan was born in Izmir, Turkey, on March 29, 1949. He spent his childhood and young adulthood years in Ankara before moving to Istanbul. 

Kayahan, whose full name was Kayahan Acar, released his first album in 1975 and went on to release nearly two dozen more. Best known for his love songs, he built his musical legacy on his use of idiomatic Turkish to describe emotions. Many of his songs are considered pop classics.

He first won global recognition at the 1986 International Mediterranean Music Contest in Antalya, a Turkish Mediterranean town, and in 1990 he represented Turkey in the Eurovision Song Contest with his composition "Gozlerinin Hapsindeyim" (“I Am Entrapped by Your Eyes”). The song did not win, but it became a hit in Turkey.

Açar was married three times. He made his first marriage to Nur in 1973. From this marriage, which lasted 24 years long, he became father of a daughter Beste (Turkish for music composition), born in 1975. Beste was runner-up for Miss Turkey in 1995. Kayahan remarried to Lale Yılmaz in 1990. The couple divorced in 1996. In 1999, at age fifty, he remarried to his third wife,1976-born İpek Tüter. In August 2000, İpek gave birth to their daughter Aslı Gönül.

A00025 - Abdullah, Shrewd King Who Reshaped Saudi Arabia

Abdullah, also spelled ʿAbd Allāh, in full Abdullah ibn ʿAbd al-ʿAzīz    (b. c. 1923— d. January 23, 2015, Riyadh, Saudi Arabia), was king of Saudi Arabia from 2005 to 2015. As crown prince (1982–2005), he served as the country’s de facto ruler following the 1995 stroke of his half brother King Fahd (r. 1982–2005).  Abdullah was one of King ʿAbd al-ʿAzīz ibn Sa'ud's 37 sons. For his support of Crown Prince Faysal (1964–75) during Fayṣal’s power struggle with King Sa'ud (1953–64), Abdullah was rewarded in 1962 with command of the Saudi National Guard. In 1975 King Khalid (1975–82), Fayṣal’s successor, appointed him deputy prime minister and, in 1982, King Fahd appointed him crown prince and first deputy prime minister. In 1995, Fahd suffered a debilitating stroke, and Abdullah briefly served as regent the following year. Although Fahd subsequently returned to power, Abdullah ran the daily affairs of the country and became king after Fahd died in 2005.

Abdullah was committed to preserving Arab interests, but he also sought to maintain strong ties with the West, especially with the United States. In 2001, relations between the two countries grew strained over Saudi claims that the United States government was not evenhanded in its approach to the Palestinian-Israeli conflict. The situation worsened later in the year, following the September 11 attacks against the United States and the subsequent revelation that most of the attackers were Saudi nationals. Abdullah condemned the attacks and, in a move to improve relations, proposed a peace initiative that was adopted at the 2002 Arab summit meeting. The plan called upon Israel to withdraw from the occupied territories (the Gaza Strip, West Bank, and Golan Heights) and promised in return a full Arab normalization of relations with the Jewish country. Tensions between the United States and Saudi Arabia resurfaced, however, after Abdullah refused to support a United States-led attack on Iraq or to allow the use of Saudi military facilities for such an act.

On the domestic front, Abdullah introduced a program of moderate reform to address a number of challenges facing Saudi Arabia. The country’s continued reliance on oil revenue was of particular concern, and among the economic reforms he introduced were limited deregulation, foreign investment, and privatization. He originally sought to placate extreme Islamist voices—many of which sought to end the Saʿūdī dynasty’s rule—yet the spectre of anti-Saudi and anti-Western violence within the country’s borders led him, for the first time, to order the use of force by the security services against some extremists. At the same time, in 2005, Abdullah responded to demands for greater political inclusiveness by holding the country’s first municipal elections, based on adult male suffrage. Uncertainty surrounding succession in the kingdom was a further source of domestic concern, and late the following year Abdullah issued a new law refining the country’s succession policies. Among the changes was the establishment of an Allegiance Commission, a council of Saudi princes meant to participate in the selection of a crown prince—previously the task of the king alone—and to oversee a smooth transition of power.

In February 2009, Abdullah enacted a series of broad governmental changes, which affected areas such as the judiciary, armed forces, and various ministries. Notable among his decisions were the replacement of senior individuals within the judiciary and the religious police with more moderate candidates and the appointment of the country’s first female deputy minister, who was charged with overseeing girls’ education. Upon Abdullah's death in 2015, his half-brother Salman was appointed king.

A00024 - Faten Hamama, First Lady of the Arabic Screen

Hamama, Faten
Faten Hamama (Arabic: فاتن حمامة‎, Fātan Ḥamāmah), 27 May 1931 – 17 January 2015) was an Egyptian  film and television actress and producer.

She made her screen debut in 1939, when she was only seven years old. Her earliest roles were minor, but her activity and gradual success helped to establish her as a distinguished Egyptian actress. Eventually, and after many successful performances, she was able to achieve stardom. Revered as an icon in Egyptian and Middle Eastern cinema, Hamama substantially helped in improving the cinema industry in Egypt and emphasized the importance of women in cinema and Egyptian society.

After a seven-year hiatus from acting, Hamama returned in 2000 in what was a much anticipated television mini-series, Wajh al-Qamar (وجه القمر, Face of the Moon). In 2000, she was selected as Star of the Century by the Egyptian Writers and Critics organization. In 2007, eight of the films she starred in were included in the top 100 films in the history of Egyptian cinema by the cinema committee of the Supreme Council of Culture in Cairo.

Faten Hamama was born in 1931 to a Muslim lower middle class family in Mansoura, Egypt (according to her birth certificate), but she claimed to have been born in the Abdeen quarter of Cairo. Her father, Ahmed Hamama, worked as a clerk in the Egyptian Ministry of Education and her mother was a housewife. She had an older brother, Muneer, a younger sister, Layla, and a younger brother, Mazhar. Her aspiration for acting arose at an early age. Hamama was influenced by Assia Dagher as a child. When she was six years old, her father took her to the theater to see an Assia Dagher film; when the audience clapped for Assia, Faten told her father she felt they were clapping for her.

When Faten won a children's beauty pageant in Egypt, her father sent her picture to the director Mohammed Karim who was looking for a young female child to play the role of a small girl with the famous actor and musician Mohamed Abdel Wahab in the film Yawm Said (يوم سعيد, Happy Day, 1939). After an audition, Abdel Wahab decided that Faten was the one he was looking for. After her role in the film, people called her "Egypt's own Shirley Temple". The director liked her acting and was impressed with her so much that he signed a contract with her father. Four years later, she was chosen by Kareem for another role with Abdel Wahab in the film Rossassa Fel Qalb (رصاصة في القلب,Bullet in the Heart, 1944) and in another film two years later, Dunya (دنيا, Universe, 1946). After her success, Hamama moved with her parents to Cairo and started her study in the High Institute of Acting in 1946.

Youssef Wahbi, an Egyptian actor and director, recognized the young actress's talent so he offered her a lead role in the 1946 film Malak al-Rahma (ملاك الرحمة, Angel of Mercy). The film attracted widespread media attention, and Hamama, who was only 15 at the time, became famous for her melodramatic role. In 1949, Hamama had roles in three films with Wahbi: Kursi Al-I'etraf (كرسي الاعتراف, Chair of Confession), Al-Yateematain (اليتيمتين, The Two Orphans), and Sït Al-Bayt (ست البيت, Lady of the House). All were successful films.

The 1950s were the beginning of the golden age of the Egyptian cinema industry and Hamama was a big part of it. In 1952 she starred in the film Lak Yawm Ya Zalem (لك يوم يا ظالم, Your Day will Come) which was nominated at the Cannes Film Festival for the Prix International award. She also played lead roles in Yousef Shaheen's Baba Ameen(بابا أمين, Ameen, my Father, 1950) and Sira' Fi Al-Wadi (صراع في الوادي, Struggle in the Valley, 1954) which was a strong nominee in the 1954 Cannes Film Festival for the Prix International award. Hamama is also known for playing the lead role in the first Egyptian mystery film Manzel Raqam 13 (منزل رقم 13, House Number 13). In 1963, she received an award for her role in the political film La Waqt Lel Hob (لا وقت للحب, No Time for Love). Hamama was also able to make it to Hollywood; in 1963 she had a role in the crime film, Cairo.

In 1947, Hamama married actor/director Ezzel Dine Zulficar while filming the Abu Zayd al-Hilali (أبو زيد الهلالي) film. They started a production company which produced the film Maw'ed Ma' Al-Hayat (موعد مع الحياة, Date with Life) in which she starred. This particular film earned her the title of the "lady of the Arabic screen". She divorced Zulficar in 1954. One year later, she married Egyptian film star Omar Sharif.  Hamama continued to act in films directed by her first husband.

In 1954, while filming a Youssef Chahine film, Struggle in the Valley, Hamama refused to have the Egyptian actor Shukry Sarhan as a co-star, and Chahine offered Omar Sharif the role. Omar had just graduated from college then and was working for his father; Hamama accepted him as her co-star. Hamama had never agreed to act any scene involving a kiss in her career, but she shockingly agreed to do so in this film. The two fell in love, and Sharif converted to Islam and married her. This marriage started a new era of Hamama's career as the couple made many films together. Sharif and Hamama were the romantic leads of Ayyamna Al-Holwa (أيامنا الحلوة, Our Sweet Days), Ardh Al-Salam (أرض السلام, Land of Peace), La Anam (لا أنام, Sleepless), and Sayyidat Al-Qasr (سيدة القصر, The Lady of the Palace). Their last film together, before their divorce, was Nahr Al-Hob (نهر الحب, The River of Love) in 1960.

Hamama left Egypt from 1966 to 1971 due to the harassment by Egyptian Intelligence. She had been a supporter of the 1952 Revolution, but later became an opponent of the Free Officers and their oppressive regime.  Consequently, she was forbidden to travel or participate in film festivals. She was only able to leave Egypt after many controversial disputes.

While Hamama was away, then President Gamal Abdel Nasser asked famous writers, journalists and friends to try to convince her to return to Egypt. He called her a "national treasure" and had even awarded her an honorary decoration in 1965. However, she would not return until 1971, after Nasser's death.

Hamama played roles conveying messages of democracy. She often criticized the laws in Egypt in her films. In the 1972 film Imbarotiriyat Meem (إمبراطورية ميم, The Empire of M), Hamama presented a pro-democratic point of view and received an award from the Soviet Union of Women in the Moscow International Festival. Her most significant political film was Oridu Hallan (أريد حلاً, I Want a Solution). In this film, she criticized laws governing marriage and divorce in Egypt. After the film, the Egyptian government abrogated a law that forbade wives from divorcing their husbands, therefore allowing khul'.

As Hamama became older, her acting roles declined and she made fewer films compared to earlier in her career, but nevertheless the films she was able to make tended to be successful. She made her first television appearances in her late career. She starred in the TV mini-series Dameer Ablah Hikmat (ضمير أبلة حكمت, Mrs. Hikmat's Conscience).

After 1993, her career came to a halt. It was not until 2000 that she returned in the successful TV mini-series Wajh ِِal-Qamar which was broadcast on 23 TV channels in the Middle East. In this mini-series, Hamama portrayed and criticized many problems in Egyptian and Middle Eastern society. Despite some criticisms, the mini-series received much praise and acclaim. Hamama was awarded the Egyptian Best TV Actor of the Year and the mini-series won the Best TV Series Award in the Egyptian Radio and Television Festival. 

Before the 1950s, Hamama had leading roles in 30 films, in which she often played the role of a weak, empathetic, poor girl. After the 1950s, Hamama was in search of her real identity and was trying to establish herself as a distinct figure. During this period, her choice of material and roles was somewhat limited. However, film producers soon capitalized on her popularity with audiences in local and Middle Eastern markets and she began to play realistic, strong women, such as in Sira' Fi Al-Wadi (صراع في الوادي,Struggle in the Valley, 1954) where she portrayed a rich man's daughter who, contrary to stereotype, was a realistic woman who helped and supported the poor. In the 1952 film Miss Fatmah (الأستاذة فاطمة), Hamama starred as a law student who believed women were as important as men in society.

In Imbratoriyat Meem (امبراطورية ميم, The Empire of M), she played the role of a widow who takes care of her large family and suffers hardship. Her most influential film was Oridu Hallan (أريد حلا, I Want a Solution) which criticized the laws of marriage and divorce in Egypt. A law in Egypt that forbade khul' ( خلع ) – a divorce initiated by the wife.

Most critics agree that Hamama's most challenging role was in the 1959 film Dua'e Al-Karawan (دعاء الكروان, The Nightingale's Prayer), which was chosen as one of the best Egyptian film productions. It is based on the novel by the same name by the prominent Egyptian writer Taha Hussein. In this film, Hamama played the role of Amnah, a young woman who seeks revenge from her uncle for the honor killing of her sister. After this film, Hamama carefully picked her roles. In 1960, she starred in the film Nahr Hob (نهر حب, Love River) which was based on Leo Tolstoy's well known novel Anna Karenina and in 1961, she played the lead role in the film La Tutf'e al-Shams (لا تطفئ الشمس, Don't Turn Off the Sun) based on the novel by Ihsan Abdel Quddous.

Faten Hamama died on January 17, 2015, aged 83 due to health problems. Her son Tarek Sharif did not state the exact cause of death.

Hamama met director Ezzel Dine Zulficar, while filming Abu Zayd al-Hilali (أبو زيد الهلالى) in 1947, fell in love and wed. The marriage lasted for seven years. They divorced in 1954. The two remained friends, and Hamama continued to star in his films after the divorce. They had one child, a daughter, Nadia Zulficar. In 1954, Hamama chose Omar Sharif to co-star with her in a film. In this film, she uncharacteristically agreed to a romantic scene involving a kiss. During the filming, they fell in love. Sharif converted to Islam and married her. The couple co-starred in many films. However, after nearly two decades together, the couple divorced in 1974; they had one son, Tarek Sharif.

Hamama later married Dr Mohamed Abdel Wahab Mahmoud, an Egyptian physician. They resided in Cairo until her death on January 17, 2015 following a short illness.

Throughout Hamama's career, she received numerous accolades for best actress, and was nominated for the Cannes Film Festival's Prix International for her role in 1950's Your Day Will Come. She received her first award in 1951 for her role in I'm the Past. The country's Ministry of Guidance also awarded her the title of Best Actress in both 1955 and 1961. These were followed by many different awards for best actress from various national and international events. International ones included special awards for acting at the first Tehran International Film Festival in 1972 for her role in The Thin Thread, and in 1977 for her role in Mouths and Rabbits. In 1973, she received the Special Award at the Moscow International Film Festival for her role in Empire M. Other international accolades include the Best Actress awards at the Jakarta Film Festival in 1963 for her role in The Open Door, and at the Carthage Film Festival in 1988 for her role in Bitter Days, Nice Days.

Hamama was also a recipient of the Lebanese Order of Merit in 1984 for her role in The Night of Fatma's Arrest. She was later presented lifetime achievement awards, including one at the Montpellier Mediterranean Film Festival in 1993, and another at the Dubai International Film Festival in 2009. In 2001, the Egyptian Writers and Critics Organization chose her as "Star of the Century" at the Alexandria International Film Festival, honoring  her lengthy career in Egyptian cinema.

A00023 - Maher Hathout, American Muslim Leader

Hathout, Maher 
Maher Hathout (January 1, 1936 – January 3, 2015) was a leading American-Muslim community leader of Egyptian origin, and widely regarded as the Father of the American Muslim identity. Hathout helped to found the Muslim Public Affairs Council and spoke extensively against Islamic radicalism.

Born in Cairo, Egypt in 1936, Hathout eventually moved to Buffalo, New York, and then to Los Angeles. He immersed himself in volunteering at the Islamic Center of Southern California (ICSC) as Chairman and Spokesperson. One of the most progressive mosques in the country – the ICSC had a woman on its board of directors in 1952 – the Islamic Center became a vehicle for a vision of Islam in America that is rooted in what Hathout called the definition of home: "Home is not where my grandparents are buried, but where my grandchildren will be raised."

Hathout stressed throughout his life that being a faithful Muslim was entirely compatible with being a proud American, and that Islam is a religion of coexistence, reason and moderation.

He was also among the pioneers of interfaith engagement within the American Muslim community, helping found the Religious Coalition Against War in the Middle East with Reverend George Regas and Rabbi Leonard Beerman in 1991. Hathout was a charter member of the Pacific Council on International Policy, the western partner of the Council on Foreign Relations, and served on the Board of Directors of the Interfaith Alliance and Claremont Lincoln University.

Over the years, Hathout was invited repeatedly to Capitol Hill and the State Department to address a variety of topics, such as "Islam and U.S. Policy," "Islamic Democracy," "Emerging Trends in Islamic Movements," and "The Future of the Middle East." He was also the first Muslim invited to give the invocation prayer at the Democratic National Convention in 2000.

Hathout was the recipient of many awards, including the George Regas Courageous Peacemaker Award, the Islamic Shura Council of Southern California’s Lifetime Service Award, the South Coast Interfaith Council Award for his life-long commitment to interfaith work and the Los Angeles County John Allen Buggs Award for excellence in human relations. He died of cancer in Duarte, California on January 3, 2015.

A00022 - Haider al-Abadi, Prime Minister of Iraq

Abadi, Haider al-
Haider Jawad Kadhim al-Abadi (or Haider Jawad Kadhim al-'Ibadi; Arabic: حيدر جواد كاظم العبادي‎, b. April 25, 1952) is an Iraqi politician and the Prime Minister of Iraq.  He was Minister of Communication from 2003 to 2004, in the first government after Saddam Hussein.

A Shia Muslim,  al-Abadi was designated as Prime Minister by President Fuad Masum on August 11, 2014 to succeed Nouri al-Maliki and was approved by the Iraqi parliament on September 8, 2014.

Al-Abadi graduated high school in 1970 from Al-Idadiyah Al-Markaziyah in Baghdad. In 1975, he earned a bachelor's degree in Electrical Engineering from the University of Technology in Baghdad. In 1980, he earned a PhD degree in Electrical Engineering from the University of Manchester.

Al-Abadi joined the Dawa Party in 1967. His three brothers were arrested in 1980, 1981, and 1982 for belonging to the Dawa Party.  In 1977 he became the chief of the party while studying in London.   In 1979 al-Abadi became a member of the party's executive leadership. In 1983 the government confiscated al-Abadi's passport for conspiring against the Arab Socialist Ba'ath Party -- Iraq Region. 

Al-Abadi remained in the United Kingdom, in voluntary exile, until the 2003 invasion of Iraq. His positions during this time included:

• Director general of a small design and development firm in London specializing in high-technology vertical and horizontal transportation (1993–2003)
• Consultant, in London, in matters relating to transportation (1987–2003)
• Research leader for a major modernization contract in London (1981–1986)

Al-Abadi was awarded a grant from the Department of Trade and Industry in 1998. While working in London in 2001, al-Abadi registered a patent relating to rapid transit systems.

In 2003, al-Abadi became skeptical of the Coalition Provisional Authority (CPA) privatization plan, proposing to Paul Bremer that they had to wait for a legitimate government to be formed. In October 2003, al-Abadi with all 25 of the interim Governing Council ministers protested to Paul Bremer and rejected the CPA's demand to privatize the state-owned companies and infrastructure prior to forming a legitimate government. The CPA, led by Bremer, fell out with al-Abadi and the Governing Council. The CPA worked around the Governing Council, forming a new government that remained beholden to the CPA to serve until the general elections, prompting more aggressive armed actions by insurgents against US-led coalition personnel.

While al-Abadi was Minister of Communications, the CPA awarded licenses to three mobile operators to cover all parts of Iraq. Despite being rendered nearly powerless by the CPA, al-Abadi was not prepared to be a rubber stamp and introduced more conditions for the licenses. Among them that a sovereign Iraqi government has the power to amend or terminate the licenses and introduce a fourth national license, which caused some friction with the CPA. In 2003, press reports indicated Iraqi officials were under investigation over a questionable deal involving Orascom, an Egypt-based telecoms company, which in late 2003 was awarded a contract to provide a mobile network to central Iraq. Al-Abadi asserted that there was no illicit dealing in the completed awards.  In 2004, it was revealed that these allegations were fabrications, and a United States Defense Department review found that telecommunications contracting had been illegally influenced in an unsuccessful effort led by United States Deputy Undersecretary of Defense John A. Shaw and not by Iraqis.

Between January and December 2005, al-Abadi served as an adviser to the Prime Minister of Iraa in the first elected government.

Al-Abadi was elected a member of the Iraqi Parliament in the Iraqi parliamentary election, December 2005 and chaired the parliamentary committee for Economy, Investment and Reconstruction. Al-Abadi was re-elected in the Iraqi parliamentary election, 2010 as a member of the Iraqi Parliament representing Baghdad.  In 2013, al-Abadi chaired the Finance Committee and was at the center of a parliamentary dispute over the allocation of the 2013 Iraqi budget.

Al-Abadi's name was circulated as a prime ministerial candidate during the formation of the Iraqi government in 2006 during which time Ibrahim al-Jaafari was replaced by Nouri al-Maliki as Prime Minister.

In 2008, al-Abadi remained steadfast in his support of Iraqi sovereignty, insisting on specific conditions to the agreement with the US regarding its presence in Iraq.

In 2009, al-Abadi was identified by the Middle East Economic Digest as a key person to watch in Iraq's reconstruction.

Al-Abadi is an active member of the Iraq Petroleum Advisory Committee, participating in the Iraq Petroleum Conferences of 2009–2012 organized by Nawar Abdulhadi and Phillip Clarke of The CWC Group .

Al-Abadi was one of several Iraqi politicians supporting a suit against Blackwater as a result of the 2010 dismissal of criminal charges against Blackwater personnel involved in the 2007 killing of 17 Iraqi civilians.

Al-Abadi was again tipped as a possible Prime Minister during the tough negotiations between Iraqi political blocs after the elections of 2010 to choose a replacement to incumbent Prime Minister Nouri al-Maliki.  Again in 2014, al-Abadi was nominated by Shia political parties as an alternative candidate for Prime Minister.

On July 24, 2014, Fuad Masum became the new president of Iraq. He, in turn, nominated al-Abadi for prime minister on August 11. For the appointment to take effect, al-Abadi was required to form a government to be confirmed by Parliament within 30 days.  Al-Maliki, however, refused to give up his post and referred the matter to the federal court claiming the president's nomination was a constitutional violation. On August 14, 2014, in the face of growing calls from world leaders and members of his own party, the embattled Prime Minister announced he was stepping down to make way for al-Abadi.

The Iraqi Parliament approved al-Abadi's new government and his presidential program on September 8, 2014.

A00021 - Sabah, Prolific Star of Arab World Entertainment

Sabah (Arabic: صباح‎; born Jeanette Gergis Al-Feghali) (b. November 10,1927 – d. November 26, 2014) was a Lebanese singer and actress. Considered a "Diva of Music" in the Arab World, (the same title often given to Oum Kalthoum, Warda Al-Jazairia and Fairuz), she released over 50 albums and acted in 98 movies as well as over 20 stage plays. She had a reported 3,500 songs in her repertoire. She was one of the first Arabic singers to perform at Olympia in Paris, Carnegie Hall in New York, Piccadilly Theatre in London and the Sydney Opera House in Sydney. She was considered one of the four Lebanese icons along with Fairus, Wadih El Safi and Zaki Nassif and was nicknamed "Empress of the Lebanese Song" (Arabic: إمبراطورة الأغنية اللبنانية‎) for it.  Sabah, known locally as “Al-Sabbouha” was born in Bdadoun, Lebanon. Her father was severe towards her, even beating her sometimes. When she started making a small amount of money out of her movies, he used to take it away from her. She married early to leave her father’s overbearing financial control. Her brother killed her mother because he believed she was seeing someone outside marriage.  She began singing and acting in the 1940s in Egyptian movies when Egyptian filmmaker Henry Barakat recognized her talent. Her first featured film was El-Qalb Louh Wahid (El Alb Laho Wahed) produced by Asia Dagher. Although a Lebanese national, the majority of her films were co-produced with or focused on Egypt. She starred with many famous actors, such as Abdel Halim Hafez, Kamal El Chenawi, Ahmad Mazhar, Rushdy Abaza and Hussein Fahmy.

She released her first song in 1940 at just 13 years of age. The singer soon caught the eye of Egyptian film producer Asia Dagher, who immediately signed her for three films. The first of these, El-Qalb Louh Wahid (The Heart Has Its Reasons), made her a star - and she was known by her character's name - Sabah, which is Arabic for morning - thereafter.  She also acquired several other affectionate nicknames, including "Shahroura", Arabic for "singing bird", and "Sabbouha," a diminutive of Sabah. Among her most popular films were Soft Hands (1964), Ataba Square (1959) and The Second Man (1960), in which she played a cabaret singer who vows to avenge her brother's death at the hands of a smuggling ring. In her parallel music career, she recorded more than 3,000 songs, working with a string of legendary Egyptian composers, including the late Mohammed Abdul-Wahhab. She specialized in a Lebanese folk tradition called the mawal, and her most famous songs included Zay el-Assal (Your Love is Like Honey on my Heart) and Akhadou el-Reeh (They Took the Wind). The star held Egyptian, Jordanian and United States citizenship as well as Lebanese, and continued to perform and make television appearances into her 80s.

Sabah released over 50 albums and acted in 98 films during her career. She married nine times, most most notably to Egyptian actor Roshdi Abaza  (Rushdy Abaza) and Lebanese author-director Wassim Tabbara. Her last marriage, to Lebanese artist Fadi Lubnan, lasted 17 years. She had two children, Dr. Sabah Shammas and actress Howayda Mansy, both of whom live in the United States.

• Iyam El Loulou written by Karim Abou Chakra (As well as Nousi Nousi a play written and directed by Karim Abou Chakra)
• Kanat Ayyam (1970)
• Nar el shawk (1970)
• Mawal (1966)
• El Aydi el naema (1963) aka Soft Hands
• El Motamarreda (1963)
• Jaoz marti (1961)
• El Rajul el thani (1960)
• El Ataba el khadra (1959)
• Sharia el hub (1958)
• Salem al habaieb (1958)
• Izhay ansak (1956)
• Wahabtak hayati (1956)
• Khatafa mirati (1954)
• Lahn hubi (1953)
• Zalamuni el habaieb (1953)
• Khadaini abi (1951)
• Ana Satuta (1950)
• Sabah el khare (1948)
• Albi wa saifi(1947)
• lubnani fi al gamiaa (1947)

A00020 - Ali Mazrui, Controversial Scholar of Africa

Ali Al Amin Mazrui,  (b. February 24, 1933, Mombasa, Kenya - d. October 12/13, 2014, Binghamton, New York, United States), Kenyan American political scientist. After receiving a doctorate from the University of Oxford, he taught at Uganda’s Makerere University (1963–73) and later at the University of Michigan (1974–91). At SUNY–Binghamton (now Binghamton University) he founded and directed the Institute of Global Cultural Studies. He also taught at many other universities worldwide, was a consultant to numerous international organizations, and wrote more than 30 books on African politics and society as well as post-colonial patterns of development and underdevelopment, including The African Predicament and the American Experience: A Tale of Two Edens (2004). For television he wrote the nine-hour BBC-PBS co-production The Africans (1986) and was featured in the documentary film Motherland (2009). Mazrui received numerous honors and awards, including the Association of Muslim Social Scientists UK (AMSS UK) Academic Achievement Award (2000).